General information:
My current dream/goal is to be a screenwriter, but I’ve been pretty bad at
following one of the cardinal rules of writing. If you want to be a better
writer, read a lot. I’ve fallen off in that department, so this is a way to
publicly announce and hopefully fix my problem. I’m going to read through the 2014
Blacklist screenplays (in no particular order) and review as many as I can
here. Starting with--
Blacklist Review #1:
The Babysitter
A lonely twelve year old boy in love with his babysitter discovers some hard truths about life, love, and murder.
To be honest, I’m not sure how The Babysitter ended up working as well as it did. But it was quick, simple, and a whole lot of fun, finding a way to be playful yet self-aware, regardless of the rules the writer decided not to follow.
The way screenplays are generally structured, something out
of the ordinary has to happen around 15 pages in. But nothing like that
happened until the end of the first act. And I didn’t mind it at all. Setting up
Cole’s world and the dynamic between Cole and Bee carried me the entire first
30 pages. You got a feel for Cole’s unease with himself as well as Bee’s
self-confidence and what that should mean for his growth during the following
pages. It’s still a coming-of-age story despite the murder.
The first act was like the beginning of a roller-coaster.
That slow crawl upwards that gets you going just off of the anticipation. And just
like a theme park ride, once it takes off, there’s no going back. After page
30, the story is at full speed. And since it takes place in one night (I love
those kinds of movies), it feels like one continuous, epic scene.
The writer does a great job of ignoring what a lot of my teachers
have told me not to do. Giving background info in the action lines in a way I
don’t mind. Skipping some of the structured steps found in most scripts, because he doesn't seem to need it. Plus his
dialogue could have become annoying and too wink-at-the-camera snappy, but he
makes it clever and laugh out loud funny. Not to mention all the small moments
he sets up that seem to have no relation to the plot, but comes back around in
the most satisfying of ways. He breaks some rules. But it works. Plus, if you
can get me to care about the character and keep the movie interesting, you have
a good chance of keeping me entertained.
I’m pretty impressed with my first script read of this
series. Well done Brian.
Side note:
normally, when the bad guys are up to something, I eventually want to know what
it is. I still know next to nothing regarding why the bad guys DID what they
DID, and yet, it doesn’t matter.