Thursday, February 19, 2015

Blacklist Review: The Babysitter

General information: My current dream/goal is to be a screenwriter, but I’ve been pretty bad at following one of the cardinal rules of writing. If you want to be a better writer, read a lot. I’ve fallen off in that department, so this is a way to publicly announce and hopefully fix my problem. I’m going to read through the 2014 Blacklist screenplays (in no particular order) and review as many as I can here. Starting with--

Blacklist Review #1: The Babysitter
A lonely twelve year old boy in love with his babysitter discovers some hard truths about life, love, and murder.

To be honest, I’m not sure how The Babysitter ended up working as well as it did. But it was quick, simple, and a whole lot of fun, finding a way to be playful yet self-aware, regardless of the rules the writer decided not to follow.

The way screenplays are generally structured, something out of the ordinary has to happen around 15 pages in. But nothing like that happened until the end of the first act. And I didn’t mind it at all. Setting up Cole’s world and the dynamic between Cole and Bee carried me the entire first 30 pages. You got a feel for Cole’s unease with himself as well as Bee’s self-confidence and what that should mean for his growth during the following pages. It’s still a coming-of-age story despite the murder.

The first act was like the beginning of a roller-coaster. That slow crawl upwards that gets you going just off of the anticipation. And just like a theme park ride, once it takes off, there’s no going back. After page 30, the story is at full speed. And since it takes place in one night (I love those kinds of movies), it feels like one continuous, epic scene.

The writer does a great job of ignoring what a lot of my teachers have told me not to do. Giving background info in the action lines in a way I don’t mind. Skipping some of the structured steps found in most scripts, because he doesn't seem to need it. Plus his dialogue could have become annoying and too wink-at-the-camera snappy, but he makes it clever and laugh out loud funny. Not to mention all the small moments he sets up that seem to have no relation to the plot, but comes back around in the most satisfying of ways. He breaks some rules. But it works. Plus, if you can get me to care about the character and keep the movie interesting, you have a good chance of keeping me entertained.

I’m pretty impressed with my first script read of this series. Well done Brian.

Side note: normally, when the bad guys are up to something, I eventually want to know what it is. I still know next to nothing regarding why the bad guys DID what they DID, and yet, it doesn’t matter.

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